The first solo exhibition in the UK of Yugoslav-born Bojan Fajfrić includes the major recent work Theta Rhythm 2010. A film and installation, it examines the intersection between personal and collective memory. The film is a painstaking reconstruction of a day in the life of the artist’s father, an administrator for Belgrade’s City Committee, who was present at the infamous 8^th Session, over which Slobodan Milosević presided. The meeting is considered by many to be a turning point that contributed to the rise of nationalism in Serbia and subsequently plunged the country into war and economic distress up to the NATO bombings in 1999.