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A Needle Woman, composed of eight simultaneous videos, documents the artist as she stands motionless in the crowded streets of Lagos, Nigeria, Mexico City, Cairo, New York, Delhi, Tokyo, Shanghai, and London putting the viewer at the centre of a global space. The world weaves past the artist’s needle-like figure, acting as an instrument, a medium that establishes connections, relationships and experience, expands time and seeks universal truths. 

A Laundry Woman-Yamuna River, India, considers nature, stillness and movement and the cycle of life and death as the river slides by, picking up flotsam and washing away the earth. The works in the exhibition question our notion of the self and contemplate a universality that hints at a possible truth of existence.