Highly aware of our technology-saturated world, New York-based Mariah Robertson bridges photography, painting, film and sculpture with images that, at first, hark back to the slower, semi-pre-digital arena of her youth. Working in a darkroom using analogue techniques now in their demise, Robertson manipulates photographic materials to reveal their strengths and fallibilities. Her hands-on approach sees chemical mishaps 'paint' the photographic surface, and an array of objects exposed directly on the paper or obstructing the enlarger.