Lacuna
Playful and often humorous, Richard Rigg’s sculptures manipulate everyday objects, asking us to view their physicality and function in a new light. Previously he has re-tuned a piano entirely to middle C and manipulated a meter ruler so that it formed a perfect circle. Rigg will realise his most ambitious work to date for this exhibition, calling into question not just an object, but an entire living landscape, in this case presented in an unassuming mountain hut.
CIRCA Projects will present a new project with artist Richard Rigg in partnership with High Desert Test Sites, California and BALTIC. Visit CIRCA Projects from 10 August 2012 for details of The Inhabitant of The Watchtower.
Nominated for the prestigious Northern Art Prize in 2011, Richard Rigg is one of the most exciting artists based in the North East. Playful and often humorous, his works reproduce and manipulate everyday objects, asking us to view their physicality and function in a new light.
For his exhibition Lacuna at BALTIC, Rigg has produced his most ambitious work to date – the major new commission A Clearing. The ambiguous title of the work could refer to that moment where you finally find yourself out of the trees in an open space of a forest, an instance of apparent clarity or, conversely, it could signify something being erased. In the exhibition space visitors will find a mountain cabin. Invited inside, they will discover its interior to be a mountain landscape alive with plants. The project began with Rigg’s observation of fog over a mountain and his meditation on how the mountain could at once be both absent and present. A Clearing also uncovers our complex potential connections and disconnections with landscape.
Un-tethered from time and place, the cabin is a design hybrid taken from many sources from various periods. The landscape found within it is unremarkable and has no discerning features. Its rocks and stones are mainly taken from Torridon, a series of mountains in the Scottish Highlands, and are largely from the little-known Precambian period that predates human life. Repositioned within the manmade structure of the hut, these natural objects reflect how our understanding of the past is framed and constructed. The contained mountain also provokes our capacity to imagine a space beyond our known landscape.
Richard Rigg was born in Cumbria in 1980. He holds a BA in Fine Art from Newcastle University and was nominated for the Northern Art Prize in 2011. Rigg has appeared in many group exhibitions including Cage Mix: Sculpture & Sound at BALTIC Centre for Contemporary Art (2010) and Broken Fall (organic).
RELATED PROJECT
Richard Rigg: The Inhabitant of The Watchtower
From 10 August 2012
CIRCA Projects will present a new project with artist Richard Rigg in partnership with High Desert Test Sites, California and BALTIC Centre for Contemporary Art, Gateshead.
The Inhabitant of the Watchtower is a durational project by Richard Rigg based in the natural and baron stage of the desert that will be produced through August. It will take place during and beyond his solo exhibition at BALTIC and explore ideas within his work that relate to non-site.
The project expands upon ideas present in Rigg's wider body of work; it functions to sidestep rational thought. By following an arcane line of inquiry it explores the facets of human perception and understanding: a quest for meaning that's intent lies within the realm of poetic lyricism rather than dogmatic conclusion.
Further details of the project can be found on the CIRCA Projects website from 10 August 2012.
There are no related items for this exhibition
Who wrote this? The' little-known Precambian period that predates human life' really? Every rock on the planet pre-dates human life...the Precambrian - please note the correct spelling is only one of many geological periods..none of which have any relevance to this artwork.
There is no 'mountain landscape alive with plants' there is no invitation inside - only an attendant who sidles to make sure no-one is taking a pee in the corner..or maybe inserting a rock from the Jurassic!
I am in despair I can't believe that anyone respects this shallowness.
Steve Dales